Sunday, April 15, 2012
KING CRIMSON
RED
Straddling a line between beguiling creations ("Fallen Angel", "One More Red Nightmare") and noodling that strays into the ether ("Providence", "Starless"), Red still comes across as an astonishing slab of progressive rock. Inscrutable, impeccable figures are drawn from guitarist Robert Fripp's capable hands, with John Wetton and Bill Bruford contributing very busy and inspired foundation work.
Opening with the powerful instrumental title track, the trio clearly relish the opportunity to play games with time signatures in support of Fripp's ambitious lines. Dark synth sweeps creep in toward the three minute mark, interpolating with the ever inventive guitar work as the rhythm section disappears. Much like an ominous, passing cloud burst, this gives way for the full band to take up the theme all the way to its glorious finish.
Timeless
Wetton's vocals hit the spot on all three tracks that showcase them, while Bruford brings his usual percussive brilliance to the proceedings. His anticipation for playing the spaces in between the notes and tasteful approach remind the listener that he's top class when opportunities to dazzle present themselves.
"One More Red Nightmare" flies in guitar parts from another dimension.
Ghostly mellotron (courtesy of Fripp) announces the multi-layered "Starless", which is quite engaging for its length. Free form, jazzy sections mingle with dreamier interludes in an extremely successful marriage. Nary a note is left unexplored as all players go for improvisational gold.
Violinist David Cross excels.
Armchair rock critic Kurt Cobain thought this disc to be one of the finest of all time. Tough to argue as your brain takes in clever arrangements, packed with an array of sonic surprises around every corner. Strings and wind instruments are deployed in a manner that bring an air of majesty to the table, yet they do not overwhelm what the core instrumentalists are laying down. Check your pulse if you are not properly inspired out of your skull after spinning this esoteric masterpiece.
Red is the soundtrack of the future...even today.
Fripp walked away from King Crimson before the release of Red in the fall of 1974 and no supporting tour was undertaken. Outside of a live disc (USA) that was issued in 1975, there was no further band activity until 1981.
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3 comments:
The only albums from King Crimson I have are:
In the Court of the Crimson King
In the Wake of the Poseidon
Lizard
Lark's Tongue in Aspic
Starless & Bible Black
USA
Unfortunately, no Red- yet... I will definitely be keeping an eye out for this one during my thrift shop searches.
It will be worth any price that you pay for it, Drew. Wicked album...
LoveLoveLoveLoveLove Red!
KC's best albums were the ones with Greg Lake on lead vocals (In the Court of the Crimson King and In the Wake of Poseidon) and the ones with John Wetton on vocals (Lark's Tongue in Aspic, Starless and Bible Black, and Red). And of those 5 albums Red is my favorite!
Have you ever noticed how similar John Wetton and Greg Lake sound? It's no wonder that Asia asked Lake to do guest vocals for them when Wetton left the band in '83. Vocally the 2 singers are dead ringers for each other.
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