Saturday, December 27, 2014


Recording software has made an enormous impact on contemporary music production. Through the manipulation of noises as expressed in ones and zeroes, there is much opportunity to "fix" performance. The result? Homogenous product, with voices and instrumental touches virtually indistinguishable from one another. In many instances, this intervention is absolutely necessary as the "talent" just isn't there. Instead of using available technical resources to enhance the material, laptop engineers now sublimate it.

Would you smother a gourmet meal in ketchup?

Growing dissatisfied with such trends, many artists are approaching the recording process from another angle. The warmth of analog is felt in every note in the new EP from DRLNG. Committing all four songs on Icarus to tape, a lush soundscape is created that is dependant upon precision playing, strong melody and the dulcet tones of lead singer Eliza Brown. The quartet is rounded out by Martin Newman (guitars), James Newman(bass) and Mickey Vershbow (drums). The material is thoughtful and well crafted, with the highlight (for me) being the title track.

Full marks go to all involved here, especially in terms of how they have carefully chosen to put the songs first and not succumb to layering and tracking to the point where the music loses all personality. The band have issued Icarus as a limited edition vinyl release (300 copies pressed) in addition to downloadable format. In truth, this recording is tailor made for your turntable, as it would best allow listeners to appreciate how these arrangements breathe outside of the confines of digital mastering.

I look forward to hearing a full length release from DRLNG, though in the meantime you can purchase the Icaras EP right here. Be sure to add this to your collection.

Find out more about DRLNG and like them on Facebook

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